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My work champions faith against the odds. Earnest, effortful, and sometimes absurd, it is vital to building the humane world I want to live in. This resolve to lavishly picture what else might be possible is usually constrained by doubt. This reflects my precarious experience as a human, always stretched between my limits and my […]
While debating demanding topics such as race, religion, or war, it is simple enough to become polarized, and see situations in either black or white, right or wrong. These tactics may satisfy individuals whose position depends on employing policies or implementing strategies that promote specific agendas for a specific constituency. But as an artist, it […]
Erik Scollon takes on the histories and traditions of ceramics by reworking the techniques of blue and white porcelain, upending our associations with the color saturated world of ceramic hobby glazes, and by creating performative and participatory projects centered on ceramics or ceramic objects. By moving from porcelain to stoneware, high fire to low fire, […]
My work revolves around the manipulation, appropriation, and de-contextualization of traditional Chinese art imagery and presentation as a way to explore how Eastern imagery is seen and understood in the US, and how ideas of cultural ‘authenticity’ and ‘tradition’ interface with contemporary trans-cultural experiences. My materials are rooted in traditional Chinese art, working mostly in ceramic […]